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Urban design
See also: Urban history
Sumer was the first company that I abstract believe gallery if the city built as a way: they were proud of this achievement as evidenced poster by the poem of Gilgamesh which starts giclee with a description of Uruk, its walls, streets, markets, temples and gardens. watercolor Uruk itself is important as the center of an urban culture that colonized and developed western Asia.
The building of cities was the end product of trends that began in the Neolithic Revolution. The growth of the city was partially planned and partially organic. Planning is evident in the walls, the main temples of drawings the district, the center channel to the port and the main street. The structure of residential and commercial areas was the reaction of economic forces to the limits imposed painting by the space planned areas which resulted in an irregular layout with regular features. Since the Sumerians had the real estate transaction, it is possible to reconstruct much of the portrait pattern of urban growth, population density, property values and other measures from cuneiform sources.
The city divided the space illustration in typical residential areas, mixed use, commercial and civic. The residential areas were grouped according to the professions. In the center of town canvas was always a main temple located a little outside the geographic center. This temple is usually preceded the founding of the city and was the nucleus around print which grew the city. Districts adjacent to the gates had a special religious and economic.
The city always included a oil painting belt of irrigated agricultural land that included painters small villages. A network of roads and canals connected the city portraits with these lands. The transport network was organized into three tiers: broad street processions (in Akkadian: s'qu il'ni u 'arri), public streets perpendicular (in Akkadian: s'qu no'') and deadlocks (on Akkadian : m''u). sculpture Public streets that defined an apple varied little over time, while the dead-ends were paintings much more fluid. Currently, an estimated 10 of the urban area landscapes was composed of streets and buildings by 90 .
